We produce video and photo content for brands that want to be visible: event productions, image films and social assets. From concept and shooting to editing, formats and final playback, fast, clean and optimized for the respective channel.
The flood of content is real: Attention is getting shorter, platforms reward speed and relevance. Who today with video production, Event content, image film and Social media clipsIf you want to make an impact, you need a process that turns ideas into quickly usable assets and consistently delivers them in all formats.
You produce visibly but not effectively: The content is played out but does not trigger a clear reaction. There is usually no right start, a clean editing rhythm or a format that fits the platform.
A campaign starts off well, and then drops off abruptly because creatives are “used up.” Without ongoing variants, new hooks and iteration, performance drops even though budget would still be there.
Content is created “when there is time” making it expensive and irregular. Without series, content pillars and defined deliverables, every shoot eats up resources unnecessarily.
Our approach to content creation and Gen-Z recruiting has already been featured by renowned media. See for yourself!
Last year, we were able to implement several productions together with Ski Austria, including a campaign to activate young talent in ski cross.
The costs do not depend on “video length” but on the effort: concept, shooting days, locations, crew size, technology, casting/protagonists, travel, music/stock and post-production (editing, color, sound, animation). That is why the price range is large in practice. A short commercial can be more expensive than a longer film if it is produced more extensively. We calculate transparently according to phases (pre-production, production, post) and define in advance which deliverables you will receive (master + cutdowns + formats)
This depends heavily on the format and on how many voting loops and deliverables have been agreed upon. event productions are often the fastest: Depending on the setup, we can provide highlights on the same day (same-day) or The next day (Day-After) deliver so that the content can be used promptly. Social productions are also significantly faster to implement because they are designed for clear hooks, short formats and fast editing cycles. Image productions usually take more time because the concept, filming planning, light/setups, filming volume and post-production (editing, color, sound, possibly animation) are more complex, creating a high-quality master asset that can be used in the long term.
After full payment, you will receive the rights to use the agreed purpose of use, i.e. for the channels, the area and the scope that we define in the offer or project.
Raw material and open project files are not automatically included. If you need the raw material or editable files, we will arrange this separately in advance, including the scope, transfer format and framework of use. We will also coordinate major developments or use outside the originally agreed scope in advance.
It is also important: If you provide us with logos, texts, music or other content, you must have the appropriate usage rights. We'll sort this out properly with you at the start of the project so that nothing can be blocked later or, in the worst case, not published.
Good content doesn't happen by chance. It is created when concept, production and post-production run as a process, with clear deliverables, clean approvals and output that works in social, paid and brand communication. That's exactly how we work: so that a project doesn't become “a video,” but usable content that lasts longer.
At the beginning, we clarify what the content is used for: social, campaign, event, website or paid ads. From this, we derive the storyline, tonality and deliverables, including formats (9:16, 1:1, 16:9) and a clear schedule so that production and approval run without friction.
We build a concept, define scenes/settings, create a shotlist and production plan, organize location, schedule and, if necessary, casting/protagonists. Result: Everyone knows beforehand what is being filmed and why.
Whether it's event production, image production or social production: We work with a scalable setup, depending on requirements and budget. The focus is on efficiently capturing the planned assets: main story plus additional scenes, which later enable cutdowns, snippets and ads.
The effect is created in post-production. We edit in a structured way according to platform logic, implement color and sound cleanly and provide subtitles/on-screen texts so that social content works without sound. Depending on the project, motion/animation or other versions (e.g. multiple hooks) are added.
“One shoot = one video. — That's right if you want to give away potential. With planning, a shoot becomes an asset set: Hero, Cutdowns, Snippets, and Ads. ”
You don't get “a file,” but ordered deliverables: master asset plus cutdowns in the right aspect ratios. This allows your team to use the content directly, whether for social, ads, websites, internal communication or presentations, without rework.
Regionale Accounts funktionieren nach anderen Regeln als nationale Marken. Ein Unternehmen aus Linz braucht keine Million Follower – es braucht die richtigen paar tausend Menschen im Umkreis von 40 Kilometern. Das ändert alles: Reichweite ist nicht das Ziel, sondern Wiedererkennung im eigenen Einzugsgebiet. Ein Beitrag mit 3.000 Aufrufen, von denen 2.000 aus dem Zentralraum kommen, ist für einen lokalen Betrieb deutlich wertvoller als einer mit 50.000 Aufrufen aus ganz Deutschland. Wir bauen Redaktionspläne deshalb um lokale Anlässe, Standorte und Gesichter herum – nicht um generische Content-Trends.
Was in der Region zieht, ist auffallend unglamourös: Menschen aus dem Betrieb, echte Arbeitsschritte, der Blick hinter die Halle, ein ehrlich gefilmter Arbeitstag. Hochglanz-Imagevideos performen auf Instagram und TikTok fast immer schlechter als ein Mitarbeiter, der in seinem eigenen Dialekt erklärt, was er gerade macht. Das gilt für Industriebetriebe im Raum Linz und Steyr genauso wie für Gastronomie am Traunsee oder Handwerksbetriebe im Bezirk Gmunden. Wir setzen darauf: dokumentarisch statt inszeniert, Gesichter statt Logos, und Formate, die man in Serie produzieren kann statt einmal im Jahr.
Der größte Bremsklotz bei Social Media ist fast nie die Strategie, sondern der Nachschub. Ein Redaktionsplan, der acht Beiträge im Monat vorsieht, scheitert daran, dass niemand im Unternehmen Zeit hat zu filmen. Weil wir von Laakirchen aus in rund 45 Minuten in Linz und Wels sind, kommen wir regelmäßig vorbei und produzieren an einem halben Tag genug Material für mehrere Wochen. Das ist der praktische Grund, warum die Zusammenarbeit mit einer Agentur aus der Region häufig überhaupt erst dafür sorgt, dass ein Kanal konstant bespielt wird.
In einer Region mit dieser Industriedichte ist der Kampf um Fachkräfte für viele Betriebe dringender als der um Kunden. Ein gut geführter Social-Media-Kanal ist der wirksamste Recruiting-Kanal, den ein mittelständisches Unternehmen haben kann – weil Bewerber sich längst vorab ansehen, wie es dort aussieht und wer dort arbeitet. Wir denken Content-Strategie und Recruiting deshalb zusammen: Dieselbe Produktion liefert Material für die Kundenkommunikation und für Stellenkampagnen.
