We produce video and photo content for brands that want to be visible: event productions, image films and social assets. From concept and shooting to editing, formats and final playback, fast, clean and optimized for the respective channel.
The flood of content is real: Attention is getting shorter, platforms reward speed and relevance. Who today with video production, Event content, image film and Social media clipsIf you want to make an impact, you need a process that turns ideas into quickly usable assets and consistently delivers them in all formats.
You produce visibly but not effectively: The content is played out but does not trigger a clear reaction. There is usually no right start, a clean editing rhythm or a format that fits the platform.
A campaign starts off well, and then drops off abruptly because creatives are “used up.” Without ongoing variants, new hooks and iteration, performance drops even though budget would still be there.
Content is created “when there is time” making it expensive and irregular. Without series, content pillars and defined deliverables, every shoot eats up resources unnecessarily.
Our approach to content creation and Gen-Z recruiting has already been featured by renowned media. See for yourself!
Last year, we were able to implement several productions together with Ski Austria, including a campaign to activate young talent in ski cross.
The costs do not depend on “video length” but on the effort: concept, shooting days, locations, crew size, technology, casting/protagonists, travel, music/stock and post-production (editing, color, sound, animation). That is why the price range is large in practice. A short commercial can be more expensive than a longer film if it is produced more extensively. We calculate transparently according to phases (pre-production, production, post) and define in advance which deliverables you will receive (master + cutdowns + formats)
This depends heavily on the format and on how many voting loops and deliverables have been agreed upon. event productions are often the fastest: Depending on the setup, we can provide highlights on the same day (same-day) or The next day (Day-After) deliver so that the content can be used promptly. Social productions are also significantly faster to implement because they are designed for clear hooks, short formats and fast editing cycles. Image productions usually take more time because the concept, filming planning, light/setups, filming volume and post-production (editing, color, sound, possibly animation) are more complex, creating a high-quality master asset that can be used in the long term.
After full payment, you will receive the rights to use the agreed purpose of use, i.e. for the channels, the area and the scope that we define in the offer or project.
Raw material and open project files are not automatically included. If you need the raw material or editable files, we will arrange this separately in advance, including the scope, transfer format and framework of use. We will also coordinate major developments or use outside the originally agreed scope in advance.
It is also important: If you provide us with logos, texts, music or other content, you must have the appropriate usage rights. We'll sort this out properly with you at the start of the project so that nothing can be blocked later or, in the worst case, not published.
Good content doesn't happen by chance. It is created when concept, production and post-production run as a process, with clear deliverables, clean approvals and output that works in social, paid and brand communication. That's exactly how we work: so that a project doesn't become “a video,” but usable content that lasts longer.
At the beginning, we clarify what the content is used for: social, campaign, event, website or paid ads. From this, we derive the storyline, tonality and deliverables, including formats (9:16, 1:1, 16:9) and a clear schedule so that production and approval run without friction.
We build a concept, define scenes/settings, create a shotlist and production plan, organize location, schedule and, if necessary, casting/protagonists. Result: Everyone knows beforehand what is being filmed and why.
Whether it's event production, image production or social production: We work with a scalable setup, depending on requirements and budget. The focus is on efficiently capturing the planned assets: main story plus additional scenes, which later enable cutdowns, snippets and ads.
The effect is created in post-production. We edit in a structured way according to platform logic, implement color and sound cleanly and provide subtitles/on-screen texts so that social content works without sound. Depending on the project, motion/animation or other versions (e.g. multiple hooks) are added.
“One shoot = one video. — That's right if you want to give away potential. With planning, a shoot becomes an asset set: Hero, Cutdowns, Snippets, and Ads. ”
You don't get “a file,” but ordered deliverables: master asset plus cutdowns in the right aspect ratios. This allows your team to use the content directly, whether for social, ads, websites, internal communication or presentations, without rework.
Unser Standort liegt in Laakirchen, direkt an der A1 zwischen Gmunden und Vorchdorf. Nach Linz, Wels, Vorchdorf, Vöcklabruck und ins gesamte Salzkammergut sind wir in rund 30 bis 45 Minuten unterwegs, nach Steyr, Ried im Innkreis oder Braunau in etwa einer Stunde. Das klingt nach einem Detail, entscheidet aber spürbar über den Angebotspreis: keine Übernachtungen, keine Reisetage, keine aufgeschlagenen Anfahrtspauschalen. Bei einem Drehtag in Wels oder Steyr macht das gegenüber einer Produktionsfirma aus Wien oder München schnell einen vierstelligen Unterschied. Genauso wichtig: Wir können kurzfristig nachdrehen, wenn eine Szene fehlt oder das Wetter am Drehtag nicht mitspielt – ohne dass daraus ein eigenes Projekt wird.
Oberösterreich ist Industrieland und Tourismusland zugleich, und beides stellt völlig unterschiedliche Anforderungen. Ein Maschinenbau-Zulieferer im Raum Linz oder Steyr braucht einen Imagefilm, der bei internationalen Einkaufsabteilungen Fertigungstiefe und Verlässlichkeit belegt – mit sauberem Licht in der Halle, verständlich erklärten Prozessen und einer englischen Fassung. Ein Hotel am Traunsee oder Attersee braucht das Gegenteil: kurze, schnelle Formate, die im Februar die Sommersaison füllen und auf dem Handy ohne Ton funktionieren. Und produzierende Familienbetriebe im Innviertel oder im Bezirk Gmunden brauchen vor allem Recruiting-Content, weil ihnen im Wettbewerb mit den großen Industriearbeitgebern die Fachkräfte fehlen. Wir planen die Produktion deshalb immer vom Einsatzzweck her, nicht vom Format.
Locations wie Gmunden mit dem Schloss Ort, der Traunstein, Hallstatt oder die Seeufer am Atter- und Mondsee sehen im Bild großartig aus – bringen aber Planungsaufwand mit. Drohnenflüge über Seeflächen und in Naturschutzgebieten sind nicht überall ohne Weiteres möglich und brauchen Vorlaufzeit und die passende Bewilligung. In der Hochsaison von Juni bis September ist an vielen Spots ab dem späten Vormittag so viel los, dass ruhige Einstellungen kaum mehr möglich sind. Wir legen Drehs an solchen Orten deshalb bewusst in die frühen Morgenstunden und planen ein zweites Wetterfenster ein, statt einen ganzen Drehtag auf gutes Wetter zu wetten.
Wir arbeiten von Oberösterreich aus für Marken wie Red Bull, ServusTV, Jeep, Helly Hansen, Ski Austria und Bergwelten – also auf einem Produktionsniveau, das man sonst eher in Wien oder München einkauft. Dieselbe Crew, dieselbe Technik und dieselben Abläufe setzen wir für ein mittelständisches Unternehmen aus dem Bezirk Gmunden ein, nur im passenden Umfang. Wer eine Videoproduktion in Oberösterreich sucht, bekommt bei uns beides: kurze Wege und ein Team, das große Produktionen gewohnt ist.
